Category Archives: TYA

The Border Game

As part of The War You Don’t See project, I am currently developing a game that is intended to educate young people about the history of (pre- and post-colonial) borders in Africa and how they affect our movement within the continent. The game animates the borders that divide Africa, making it possible for players to explore and experience the different ways travel and movement is restricted or limited for Africans on their own continent.

The game is intended for general and school use.

The initial phase of the game was developed this May in Ouagadougou, Burkina Faso, where I took part in a writer’s residency programme organised by The Goethe-Institut.

List of participants at the writer’s residency

I went there with the intention of writing a play about the same theme for a young audience, but the task took an interesting twist, instead of writing about the issue I became more and more interested in activating the audience to not only think about the theme but to act on it. I began to experiment with different ways I could activate the audience to be a part of this (re)imagination. The result of the experimentation was that I walked away from the residency not with a play, but a game. The game takes as its starting premise, a seemingly, simple question: where are Africans allowed to go – visa free – on their own continent? The outcome is a game that animates these colonial and post-colonial borders that divide Africa and allows the players to experience how the borders limit their movements on the continent.

The game exposes the player to Africa’s transformation from its pre-colonial to the now post-colonial borders. After playing the game, the players are invited to discuss and (re)imagine, 1) what a post-post-colonial Africa could look like, 2) and how Africans should be allowed to move in it.

For school use, an educational resource pack is being developed that will enable teachers to use the game as a starting point in activating their pupils to learn about the history of Africa’s borders.

The concept of the game has been fully developed, and now I am working on the prototype that will be launched in the near future. If you’d like to follow the developments of the game or be notified when the prototype is being launched, please get in touch.

Potential collaborators are also welcome to make themselves known to me! ❤️

Looking forward to sharing this beautiful project with you! 😊

Eliot Moleba at the Schauburg Theater, Munich.

READING IN GERMAN AND ENGLISH

The South African playwright Eliot Moleba is invited for two months at the Künstlerhaus Villa Waldberta in the state capital of Munich. During this time he will work closely with the Schauburg. Our actors joyfully present resche texts from his pen. Eliot Moleba and his German publisher Bernd Steets report from the writing room in dialogue with dramaturge Anne Richter.

 

Date: Sunday, December 16, 2018 | Venue: Schauburg Theater

For more info, visit this link: https://www.schauburg.net/de/node/1482

Next Generation Program 2018 – ASSITEJ Pakistan

ASSITEJ Pakistan
Next Generation participants after the final showcase.

Young and emerging performing artists from 11 different countries, with 10 theatre makers from Pakistan, collaborated in the cross-cultural workshop between February 27 and March 4.

Performance showcase was on March 4 at Peeru’s Cafe in collaboration with Raafipper Theatre Workshop.

Brief Profile of Selected International Participants

 

To read a report of the collaboration, click here.

To read more about ASSITEJ Pakistan, click here.

Writer-in-Residence in Austria

Pakistan
Photo: © Moiz Alvi

Eliot Moleba is invited to develop a new play for a young audience by The Federal Chancellery of Austria, in cooperation with KulturKontakt Austria. The thematic focus of the piece will be on (im)migration, illegal settlements and occupation. The work will explore how such a dense for-ever-contemporary political topic can be made accessible to a younger audience that is living in a world that is increasingly building walls to separate “them” from the “others”, rather than bridges – interlocutors – to help us overcome these differences.

As part of his stay in Austria, Moleba will also conduct workshops with schools, teaching and training teachers.

To read more about the residency program, click here.

To read more about the school project, click here.

 

1 jour 1 pièce / 1 day 1 play / 1 dia 1 obra

ASSITEJ France has the pleasure to invite you to take part in its instant playwriting game, “1 day, 1 play”, organised to celebrate the World Day of Theater for Children (WDT), on March 20th.

Last year, with the support of ASSITEJ networkWrite Local, Play Global, 45 playwrights from 14 countries took part of it.

As for the last editions, we chose the simplest rules, to ensure anyone interested in playwriting and TYA can participate.

All you have to do is to select a date, from March 1st to 15th, and to register here. On the D-day, you will be sent the subject, and surprise helpers for your story. You then will have 24 hours to write and send your short play (500 to 700 words), in your own personal style and language.

Plays will be translated into French, and released on 1 day 1 play’s website, as in 2014 and 2015, at the occasion of the WDT.

To see my contributions, click here.

Two Young Artists from Cwmbran and South Africa Breaking New Ground with Arad Goch

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There was a lot of excitement and energy in Canolfan Arad Goch throughout March and April, as two young artists, Chris Harris and Eliot Moleba worked on an exciting theatre project based on immigrants and race. Chris from Cwmbran and Eliot from South Africa were working through the 6X1 scheme with Cwmni Theatr Arad Goch until the beginning of April. In that time, the two young artists created a new piece of theatre, and did so by taking advantage of Arad Goch’s facilities and expertise.

Eliot and Chris first met during the International Theatre Festival, Agor Drysau / Opening Doors in 2014 and Eliot Moleba mentions that they’ve wanted to work together since then;

“Since 2014 we’ve been trying to work together. It’s surreal to think, here we are!” (Eliot Moleba)

Eliot Moleba is a 29 year old artist from South Africa who specialises in theatre work. At the moment, Eliot is a Resident Dramaturg with the South African State Theatre. One of his most recent touring productions was The Orphan Of Gaza which toured around South Africa in 201[5].

“It was exciting working on something meaningful which responds to a current global issue” (Eliot Moleba)

Eliot came to know about Cwmni Theatr Arad Goch after being accepted to do a placement with the company during the Agor Drysau Opening Doors festival in 2014. The opportunity was arranged through ASSITEJ (l’Association Internationale du Theatre Pour L’Enfance et La Jeunesse – The International Association Of Theatre For Children and Young People), where Arad Goch’s Creative Director Jeremy Turner was a member.

“We’ve kept in touch since then and are extremely pleased that Eliot is now working with a young Welsh writer and performer, Chris Harris who started his professional career with Arad Goch, after graduating from Aberystwyth University.” (Jeremy Turner)

Chris Harris’ first professional job in the theatre industry was as an actor in Arad Goch’s production Madog. By now, Chris works as an assistant at Ysgol Gymraeg Cwmbran. As well as this, Chris often works with Sherman Theatre, and has also been working on his own original theatre work. His one-person show Golf Course War Machine opened in Arad Goch and is touring theatres at the moment and there was a reading of his latest drama, which won the Richard Carne Award, Heterochromia on the 26th of April at the Sherman Theatre.

“I love exploring working in a way where language isn’t integral to the storytelling” (Chris Harris)

Chris and Eliot’s project touched on themes such as race, immigrants, childhood and racism and will came to its conclusion with a presentation and discussion of the production at Canolfan Arad Goch.

“Nice to come here in a creative capacity and thankful for the opportunity – it’s very rare to be given a chance like this where you can just explore and play and create something. We’re very grateful for the trust Arad Goch has given us.”

Phone 01970617998 or email carwyn@aradgoch.org for more information.

03/05/2017

This article first appeared here

Urgent Call to African Artists

Urgent to ALL!

Please tell us, as African artists (and especially French-speaking artists) why do you make work for young audiences and what is most important in your work? Please offer us a short paragraph-lengt h answers. These are for a composite article in the ASSITEJ international magazine for 2013 which will be available in Linz. It will be in French and English so you can send responses in either language. Include some high quality photos of your production(s).

Email your response to Marisa Gimenez Cacho at marisagcacho@yahoo.com.mx

Please share this with as many friends and families of artists who do a lot of work with children. Thank you!

FATEJ: Biennial festival 2013

Eliot Moleba

This is a picture of Donald Mvolo and myself on my visit to Cameroon’s FATEJ, which is a Biennial theatre festival for children and young people. Mr. Mvolo is a local theatre director and writer. I had such a great time watching performances mostly in French. I never really knew what most of them were about, but it was great just to enjoy the theatrical and physical dynamics of the shows. I was particularly impressed with Donald’s show which managed to transcend linguistic barriers that plunged the atmosphere – I understood his show. Of course, this was helped by two very talented actors. They were very expressive and retained a clarity of gestures.

It was a marvel to watch them!